Margarita Spalding Gerry

Margarita Spalding Gerry

Summary

Portrait of Margarita Spalding Gerry Margarita Spalding Gerry Uncle 'Bial's Bonds (1916)

And then Harry might have already taken the bonds out to buy that hateful, luxurious car in which we would be whizzed about for ever and ever, and never stop to have a sweet little home with grass and flowers and rose-bushes and lawn-mower and lawn-spray and—and everything. It was perfectly wretched to be in suspense, and yet I couldn't bear to open that cubby. Unless I had decided, I hadn't any moral right to look, and I couldn't decide if I thought Harry had set his heart on something else; and if Harry had gone ahead and got a car when I wanted a house, I felt it would kill me to know it.
Source: Wikisource

Portrait of Margarita Spalding Gerry Margarita Spalding Gerry Uncle 'Bial's Bonds (1916)

I felt I couldn't live if I didn't have a tiny vase with the most marvelous blue glaze I ever saw and the most perfect lines. They had such an intelligent salesman, and a certain millionaire had just paid five thousand for a vase not half so perfect, and I could have this one for two thousand! But if I got that, Harry and I couldn't both have fur coats—at least his wouldn't have a real sable collar, and I knew that every time I looked at the vase and saw Harry's coat with just a Persian-lamb collar I'd hate the vase.
Source: Wikisource

Portrait of Margarita Spalding Gerry Margarita Spalding Gerry Uncle 'Bial's Bonds (1916)

I did feel that it wasn't safe to leave the apartment so much. Somebody might find out about the safe-deposit and steal the bonds long before either of us would open it, and it did seem as if we ought to stay home more and watch it. Then, too, Marie did make the most outrageous eyes at Harry, and I never could quite forget that Pelham business. When a girl doesn't marry until late in life she does get sort of restless and reckless.
Source: Wikisource

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