Laura Spencer Portor

Summary

Laura Spencer Portor The Idealist (1917)

Beautiful as was the portrait of Crayton's wife, that of his daughter was perhaps even more appealing, with that wistfulness and promise with which the young moon triumphs over that of later days. You have seen the shining, slender crescent hold in its arms the shadow of the full moon? It was so in looking at the portrait of this young girl that one saw, besides the shining, frail loveliness, the foreshadowing of that fuller perfection from which her own delicate beauty was sprung and to which it was destined in time more fully, more brilliantly to attain.
Source: Wikisource

Laura Spencer Portor The Idealist (1917)

It was at a reception when Crayton, seated at one side of a screen of palms, heard Frazier at the other side speaking with his customary enthusiasm, flinging his sentences down boldly and no doubt with that fine lift of the head which was to Crayton, in itself, a very considerable testimonial.
"I tell you life modifies your opinions and beliefs, or ought to, all the time," gave out Frazier. "I can't conceive of clinging to one idea, one form of belief, year in and year out, once life has begun to teach you better. I've found life to be so infinitely larger than creed.
Source: Wikisource

Laura Spencer Portor The Idealist (1917)

He who plants and tends and tires not of the tending is destined one day to taste the fruit.
Crayton believed in the underlying soundness and brotherhood of humanity. The outbreak of the war, which had been such a blow to the average man of ideals, overturning his shallow theories, flinging him rudely toward doubt and pessimism, had not really moved Crayton. War was as unthinkable, as hateful to him as to the fondest. He did not believe it would continue; but, even if it should—Crayton could afford to wait. And if you would wait with him you should see humanity triumphing.
Source: Wikisource

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