Letitia Elizabeth Landon

Letitia Elizabeth Landon

Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Landon in The Literary Gazette 1826 (1826)

IOLE.
'Tis a vain folly, and I know it such;
Yet who has not some weakness which the heart
Has made an idol? 'Tis thus with the name
That to my lute is as the vizard is,
Which hides the masquer's face. I have no hope,
Nay, scarce the wish, for fame; but yet it soothes,
And gives me somewhat of a social feeling,
To think that some, albeit they know me not,
May share the grief that taught me poetry.
Beloved mine! Iole has a sound
Breathing of other days, and linked with thee:
'Tis not the first time I have borne that name.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Landon in The Literary Gazette 1826 (1826)

How can the Convent's holy men
Join with such lawless band?
Yet the Prior sat at the board-end,
And courteously carved he;
While his Monks mark'd not their hour of prayer,
But join'd the revelry.
There were words of boasting joy,
Of triumph o'er their foes;
And many a song and jest
Around the wine-cup rose.
But somewhat of shadow fell,
As came on the hours of night:
The haughty lip grew wan—
The flashing eye less bright—
The laughing voice broke off
In the middle of its tale—
And each one shudder'd as he saw
His neighbour ghastly pale.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon Landon in The Literary Gazette 1826 (1826)

The brow was noble, queen-like, somewhat proud,
But this seem'd as it were of right allow'd—
For mind was in its beauty, and you gazed
On its high meaning till no more amazed
At what seem'd History's fiction,—when that queen—
Martyr—and heroine—woman—by turns had been.
I heard she was unhappy, and I checkt
My eager gaze at first; she might suspect—
For sorrow brings distrust—that it was less
Pity for her than idle curiousness.
Source: Wikisource

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