Lew Levenson

Summary

Lew Levenson,  Butterfly Man (1950)

“ For a long time Ken stood motionless. He could feel the numbing after-effect of the gin. His thoughts were jerky, broken. He shook his head helplessly. He could not understand why Anita had gone. Slowly an intense deep-rooted urge to find her rose within him. A sere slow passionate pain made him turn toward the door. He wanted her.
Coldly the pale light in the corridor illumined the dreary walls. He was such a weak fool. What of it? He would be strong. He would renounce his own imaginary scruples and warm himself to her, in love with her, despite everything.
”
Source: Wikisource

Lew Levenson,  Butterfly Man (1950)

“ Howard said. "This is a little of the old world, London, Paris, New York, everywhere where men and women are free. No ostentation. No curiosity. The mob does not come here. Hoboes are not admitted. Part of what we are is here. Artificiality. Veneer. You're gay at Lido, carefree. At Lido or any place like Lido, I'm me. Ken, I'm no longer a solid rock. No longer selfish about fame or success, or money. Here no one asks me for anything. Here I'm—me."
Ken was annoyed. "You're never solid rock. You are always considerate—and kind—and sweet. You are thoughtful in the real sense."
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Source: Wikisource

Lew Levenson,  Butterfly Man (1950)

“ The limousine glided to his side. "Come in, Ken," he heard Howard say. Really Howard. Not a gin-soaked dream. The living breathing Howard, elegant in a spring suit, seated on the cushions of the car. Beside him a boy of eighteen, a sweet-faced boy, Ken thought; but not much different from a million others ... round face, soft brown eyes.
"Mr. Townsend, Mr. Gracey," said Howard.
"How do you do?" the boy said with an English inflection. Ken sat facing them. He was weary, drained, depleted. The car, moving, was unreal. Sharp out of the heavens, dull, dead gold, last gesture of a dying sun.
”
Source: Wikisource

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