Lionel Henry Cust

Summary

Lionel Henry Cust Dictionary of National Biography (1901)

The works of Crowe and Cavalcaselle caused a complete revolution in the general style of criticism with which the paintings of the old masters had been wont to be received. Their method of examination not only called attention to the immense wealth of paintings, almost unknown, which existed in North and Central Italy, but recalled into existence numberless painters whose works had been overshadowed or submerged by those of their better known and more successful contemporaries.
Source: Wikisource

Lionel Henry Cust Dictionary of National Biography (1901)

It is not likely that such pioneers in criticism as Crowe and Cavalcaselle should invariably be found to be infallible, but the greater part of their work has maintained its authority. That their works should be considered at all out of date some thirty years or more after publication is a tribute to the great impetus which these works gave to the study of the subject with which they were concerned. A new edition of the 'History of Painting in Italy' had been projected by Crowe, but only one volume had been completed at the time of his death
Source: Wikisource

Lionel Henry Cust Dictionary of National Biography (1901)

Lady Marian Alford was an accomplished artist, inheriting her tastes in this direction from both her parents, and, although she enjoyed no regular education in art, her drawings and paintings attain a very high standard. Her house in London, Alford House, Prince's Gate, was built mainly from her own designs. She was also a liberal and intelligent patron of artists in England and Italy, and a friend of the leading artists of the day.
Source: Wikisource

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