Frank W. Gibson

Summary

Frank W. Gibson Dictionary of National Biography… (1912)

After his retirement in 1862, Windus, an artist of extreme enthusiasm and sensitiveness, was practically forgotten until the spring exhibition of the New English Art Club of 1896, when three water-colours by him entitled ‘The Flight of Henry VI from Towton,’ ‘The Second Duchess,’ and ‘A Patrician, Anno Domini 60,’ were lent by their owners. They excited great interest amongst artists and connoisseurs. His work, which is scarce in quantity, is greatly valued as that of the most poetical and imaginative figure painter whom Liverpool has produced.
Source: Wikisource

Frank W. Gibson Dictionary of National Biography… (1912)

At the suggestion of John Miller, an art patron, he visited London in 1850, and was deeply influenced by Millais's ‘Christ at the Home of His Parents’ in the Royal Academy. Accepting Pre-Raphaelite principles, he painted in 1852 ‘Darnley signing the Bond before the Murder of Rizzio.’ In 1856 he exhibited at the Royal Academy ‘Burd Helen.’ The work, though badly hung, attracted the attention of Dante Rossetti, who instantly took Ruskin to see it.
Source: Wikisource

Frank W. Gibson Dictionary of National Biography… (1912)

At an early age Valentine was sent to England to be educated, and with a view to the Indian civil service went to Haileybury. But close intimacy in youth with George Frederick Watts [q. v. Suppl. II] who for five and twenty years lived with his parents at Little Holland House and painted portraits of all the members of the family, and contact at weekly gatherings there with many celebrated artists, encouraged in Prinsep a taste for art, and giving up a nomination for the civil service, he resolved to adopt the profession of an artist.
Source: Wikisource

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