Louis Dodge

Bonnie May (1916)

Summary

Louis Dodge,  Bonnie May (1916)

“ The purple of a make-believe sky turned to lavender, and to pink. The long, horizontal streaks of color faded, and in the stronger light now turned on the stage a gypsy woman who seemed to have been sleeping under a hedge came into view—a young creature, who patted back a yawn which distorted her pretty mouth. Other persons of the drama appeared.
Baron succumbed to the hypnotic power of the theatre: to the beguiling illusions of the stage, with its beautiful voices; the relaxed musicians, unobtrusively disinterested; the dark, indistinct rows of alert forms down in the parquet.
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Source: Gutenberg

Louis Dodge,  Bonnie May (1916)

“ Thornburg, too, observed her rather deliberately. For an instant he seemed to forget himself, to be absent-minded. Thornburg was of that type of man who seems to surrender unconditionally when a woman employs strategies, but who resolves to do what he pleases when her back is turned.
Baron resented his mother’s attitude, her decision not to be communicative and gracious. He stood by the manager’s side and spoke of the splendid picture the garden presented. For a moment they stood in silence, looking down upon the tangle of many-colored lights which marked the course of the Midway.
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Source: Gutenberg

Louis Dodge,  Bonnie May (1916)

“ Her cheeks flamed, her eyes were filled with a soft light.
“Mr. Addis has called to see Miss Baron,” announced Mrs. Shepard truculently in the doorway.
“I’ll go right down,” said Flora.
“Oh!” exclaimed the elder Miss McKelvey.
“Oh!” echoed her sister.
They arose as by a common impulse and stole out into the hall. “We don’t care if we do,” they flung back in a whisper as they tiptoed to the stair railing. They came hurrying back with ecstatic twitterings. “You know you never entertain company in that dark room down-stairs, Flora Baron! You’ve got to bring him up!”
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Source: Gutenberg

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