Summary

John S. Lindsay The Mormons and the Theatre; or…

There is an eager and expectant world of theatregoers waiting for some new genius to come forth and give to the stage another halo, to shed a radiance over its flickering lights, and fill the world with wonder and delight; but alas! no other Shakespeare has arisen; with the models he gave before them, in three centuries no dramatist has arisen that could write a "Hamlet," a "Macbeth," or a "Lear;" nothing in all that time to equal "Romeo and Juliet," "As You Like It," or "The Merchant of Venice."
Source: Gutenberg

John S. Lindsay The Mormons and the Theatre; or…

In every city, and almost every town of the civilized world, there is some sort of a theatre; many of them are truly temples of the Thespian art; invention has racked its brains to supply original and costly adjuncts to the drama in the way of scenery and mechanical devices; realism has run mad in its efforts to produce novel illusions and startling stage effects. Woman has long since demonstrated her equality with man in the arena of dramatic art, and for more than two centuries she has adorned the stage with her beauty, grace and talents.
Source: Gutenberg

John S. Lindsay The Mormons and the Theatre; or…

Charlotte Crampton's engagement was like the flashing of a meteor across the dramatic firmament. Like the elder Booth, she was notorious for her eccentricities, and in genius was akin to him. "How close to madness great wits are allied."
After the passing of this meteor, the steady star, Madam Scheller, resumed her reign, reappearing as "Laura Courtland" in "Under the Gas Light." This was the first production of this play in Salt Lake City, and it had an unprecedented run, going for an unbroken week to full houses.
Source: Gutenberg

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