Louis Viardot

Summary

Louis Viardot Popular Science Monthly (1874)

A posteriori: it is plain that a man's first movement, as regards the good, is almost always right; as regards the beautiful, almost always wrong. Listen to the crowd, judging by its moral estimate of an event that has taken place under its eyes, when no interest nor passion misleads it: what good sense, what fairness, what insight, what right intentions, what generous sympathies! Then hear it discoursing on the merit of works of art: what wretched taste, what glaring mistakes, what ridiculous enthusiasm, what sad and utter going astray!
Source: Wikisource

Louis Viardot Popular Science Monthly (1874)

Which of them is not aware that taste for the arts, and, still more, taste in the arts, came to him only after a long time, after lucky and often casual experiences, after protracted studies, repeated comparisons, a constant exertion of the powers of seeing, understanding, feeling, judging? And who does not know, by having learned it in himself, that in the arts—except perhaps in music, which filters in unconsciously to those who hear it—emotions come in the train of reasonings, and that the first condition of positive admiration is knowledge?
Source: Wikisource

Louis Viardot Popular Science Monthly (1874)

The empire of the arts, though it refuses to accept any boundaries as haughtily as that of science does, though speaking as well a universal language it spreads over the whole world, can be ruled only by a strict oligarchy. Indeed, as has been justly said, good taste is the quintessence of good sense. Therefore, whatever may be our devotion to equality before the law, we can never admit equality before genius, or even before that talent which the cultivation of art requires.
Source: Wikisource

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