Louise Closser Hale

Louise Closser Hale

Summary

Portrait of Louise Closser Hale Louise Closser Hale French Battle-fields of Yesterday (1917)

One remembers Compiègne gratefully after visiting these towns through which the Germans passed, for it tugs less at the strings of pity in our hearts. It still has an air of prosperity. The palace is no longer visited by tourists; the best hotel no longer serves a precious dinner to those irregular couples motoring out from Paris for a holiday. The antiquity-shops have bars across the doors.
Source: Wikisource

Portrait of Louise Closser Hale Louise Closser Hale French Battle-fields of Yesterday (1917)

Cooks from their wagons waved to the civilians; soldiers on gun-carriages added to the clamor of the wheels. Some of the occupants of our café went on with their game of backgammon; some tilted back in their chairs to look casually through the door. Some of them watched me, my handkerchief to my eyes under stress of emotion. Then all grew quiet for an instant at the tables, for the men in the camions were now singing, their voices rising above the din and floating in to us. As I heard my first bugles in Crépy, so now was I hearing the first song from any lips since I had come to France.
Source: Wikisource

Portrait of Louise Closser Hale Louise Closser Hale French Battle-fields of Yesterday (1917)

AFTER the visitor to France goes into the war zone and returns to Paris safely, he, or perhaps I should say she, is not so fearful of going again. It is not the expectation of high explosives descending on a woman's frail hat of straw that filled me with dread on my first visit in the direction of Meaux and Château Thierry, but an uneasiness over my own conduct that might unwittingly transgress the rules of the Army and bring down a high-explosive wrath with a penalty for which there is no mediation. There is no carrying your case to a Supreme Court, no appeal to the Governor or the people.
Source: Wikisource

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