Summary

Portrait of M. E. Braddon M. E. Braddon An Open Verdict: A Novel, Volume 1… (1879)

Sunday evening at the parish church was gayer than this, Bella thought, as she sat by the fire stifling her frequent yawns, and watched Beatrix’s thoughtful face bending over Bishop Ken.
‘Yes, she is much handsomer than I am,’ reflected Bella, with a pang of envy. ‘How can I wonder that he likes her best! She is like one of those old prints Mr. Dulcimer showed us one evening—by Albert Durer, I think. Grave dark faces of Saints and Madonnas. She is like a poem or a picture made alive. And he is full of romance and poetry. No wonder he loves her. It is not for the sake of her fortune.
Source: Gutenberg

Portrait of M. E. Braddon M. E. Braddon An Open Verdict: A Novel, Volume 1… (1879)

Culverhouse, more freely than I have spoken to any man, and I beg that all I have said may be sacred.’
‘It shall be so,’ answered Cyril. ‘You think you can protect your daughter from the possibility of a sorrow like that which has darkened your own life. But do you not think that Providence is stronger to guard and save than you can be, and that it might be wiser to let her obey the instinct of her own heart?’
‘As I did,’ cried Christian Harefield, with a laugh. ‘Sir, Providence did not guard or save me. I was a man—of mature years—and thought I knew mankind by heart.
Source: Gutenberg

Portrait of M. E. Braddon M. E. Braddon An Open Verdict: A Novel, Volume 1… (1879)

Dulcimer, I hope you don’t think I did it on that account,’ cried Bella, with a shocked look. ‘It is a real pleasure to me to be of some little use. When I see how good you and Mr. Dulcimer are——’
‘Oh, my dear, I’m afraid I don’t go among the poor as much as I ought. Anxious as I am to do good, I don’t get on with them as well as Clement does. I can’t help telling them when I see things going wrong, and trying to set them in the right way. And they resent that. One must look on and smile as if everything was right—dirt—muddle—extravagance—everything.
Source: Gutenberg

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