Madison Julius Cawein

“ I should like to praise the poetry of Madison Cawein, of Kentucky, which is as remote as Greece from the actual everyday life of his region; as remote from it as the poetry of Keats was from the England of his day, and which is yet so richly, so passionately true to the presence and essence of nature as she can be known only in the Southern West. I named Keats with no purpose of likening this young poet to him, but since he is named it is impossible not to recognize that they are of the same Hellenic race ”

“ Cawein has faults, and very probably he knows it, too; his delight in color sometimes plunges him into mere paint; his wish to follow a subtle thought or emotion sometimes lures him into empty dusks; his devotion to nature sometimes contents him with solitudes bereft of the human interest by which alone the landscape lives. But he is, to my thinking, a most genuine poet, and one of these few Americans, who, even in their over-refinement, could never be mistaken for Europeans; who perhaps by reason of it are only the more American."—William Dean Howells in Literature. ”

“ He drove his team, fresh in the primrose morn;
And from the liberal banquet, nature lent,
Took dewy handfuls as he whistling went.—
A boy once more I stand with sunburnt feet
And watch the harvester sweep down the wheat;
Or laze with warm limbs in the unstacked straw
[11] Nearby the thresher, whose insatiate maw
Devours the sheaves, hot drawling out its hum—
Like some great sleepy bee, above a bloom,
Made drunk with honey—while, grown big with grain,
The bulging sacks receive the golden rain. ”

“ If there be any modern bard who can recreate a mediæval castle and give to its inhabitants the sentiments which were theirs in the twelfth century, Cawein is the poet who can. He takes delight in the East. He is the Omar Khayyam of the Ohio Valley. He is as much of a Mohammedan as a Christian. He knows the son of Abdallah better than he knows Cromwell; and has more sympathy with a Khalif than with a Colonel. He dwells in the romantic regions of life; but the romance is real. The hope is a true hope. The dream is a true dream. ”

“ And morn shone overhead,
Love was the sweet newcomer
Who led youth forth to wed;
Then all of life was Summer,
And clouds were golden red.
III
When earth was all October,
And days were gray with mist,
On woodways, sad and sober,
Grave memory kept her tryst;
Then life was all October,
And clouds were twilight-kissed.
[58]
IV
Now all the world's December,
And night is all alarm,
Above the last dim ember
Grief bends to keep him warm;
Now all of life's December,
And clouds are driven storm.
Old
Homes
Old homes among the hills! ”

“ With deep eyes, lovelier than cerulean pansies,
Shadow and fire, yet merciless as poison;
With red lips, sweeter than Arabian storax,
Yet bitterer than myrrh.—O tears and kisses!
O eyes and lips, that haunt my soul forever!
Again Spring walks transcendent on the mountains:
The woods are hushed: the vales are blue with shadows:
Above the heights, steeped in a thousand splendors,
Like some vast canvas of the gods, hangs burning
The sunset's wild sciography: and slowly
The moon treads heaven's proscenium,—night's stately
White queen of love and tragedy and madness. ”

“ Through the clerestories high of the heaven, the firmament's halls;
Under whose sapphirine walls,
June, hesperian June,
Robed in divinity wanders. Daily and nightly
The turquoise touch of her robe, that the violets star,
The silvery fall of her feet, that lilies are,
Fill the land with languorous light and perfume.—
Is it the melody mute of burgeoning leaf and of bloom?
The music of Nature, that silently shapes in the gloom
Immaterial hosts
Of spirits that have the flowers and leaves in their keep,
That I hear, that I hear? ”

“ Th' explorer's tattered sail
Drives like the wing of some terrific bird,
Where wreck and famine herd.—
Home of the red Auroras and the gods!
He who profanes thy perilous threshold,—where
The ancient centuries lair,
And, glacier-throned, thy monarch, Winter, nods,—
Let him beware!
Lest, coming on that hoary presence there,
Whose pitiless hand,
Above that hungry land,
An iceberg wields as sceptre, and whose crown
The North Star is, set in a band of frost,
He, too, shall feel the bitterness of that frown,
And, turned to stone, forevermore be lost.
Dionysia
The day is dead ”

“ Love, as pure as the May's pure air,—
And did you care?
There where the brook on its rocks went winking.
III
Whatever befalls through fate's compelling,
Should our paths unite or our pathways sever,
In the Mays to come I shall feel forever
The wildflowers thinking, the wildbirds telling
The same fond love that my heart then knew,
Love unspeakable, deep and true,—
But what of you?
Whatever befalls through fate's compelling. ”

“ God shapes reality.
Evasion
Why do I love you, who have never given
My heart encouragement or any cause?
Is it because, as earth is held of heaven,
Your soul holds mine by some mysterious laws?
[68] Perhaps, unseen of me, within your eyes
The answer lies, the answer lies.
II
From your sweet lips no word hath ever fallen
To tell my heart its love is not in vain—
The bee that wooes the flow'r hath honey and pollen
To cheer him on and bring him back again:
But what have I, your other friends above,
To feed my love, to feed my love?
III
Still, still you are my dream and my desire ”

“ Their gardens, banked with roses and with lilies—
Those sweet aristocrats of all the flowers—
Where Springtime mints her gold in daffodillies,
And Autumn coins her marigolds in showers,
And all the hours are toilless as the lilies.
I love their orchards where the gay woodpecker
Flits, flashing o'er you, like a wingéd jewel;
[59] Their woods, whose floors of moss the squirrels checker
With half-hulled nuts; and where, in cool renewal,
The wild brooks laugh, and raps the red woodpecker.
Old homes! old hearts! Upon my soul forever
Their peace and gladness lie like tears and laughter ”

“ And the world would be richer one poet the more.
VISIONS AND VOICES
[3]
Myth and
Romance I
When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:—
Perhaps a Dryad, in whose tresses cling
The loamy odors of old solitudes,
Who, from her beechen doorway, calls; and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds ”

“ Milk flows, warm milk, that keeps all things alive;
Fruit is not far, th' abundance of the meadows,
And honey oozes from the hollow hive.
Lines
Within the world of every man's desire
Three things have power to lift his soul above,
[80] Through dreams, religion, and ecstatic fire,
The star-like shapes of Beauty, Truth, and Love. ”

“ Behold, I seem, and am no more a man.
The
Rain-Crow I
Can freckled August,—drowsing warm and blonde
Beside a wheat-shock in the white-topped mead,
In her hot hair the oxeyed daisies wound,—
O bird of rain, lend aught but sleepy heed
To thee? when no plumed weed, no feather'd seed
Blows by her ”

“ God gives to thee.
A house of clay, the home of Fate,
Haunted of Love and Sin,
Where Death stands knocking at the gate
To let him in.
Conscience
Within the soul are throned two powers,
One, Love; one, Hate. Begot of these,
And veiled between, a presence towers,
The shadowy keeper of the keys.
[56]
With wild command or calm persuasion
This one may argue, that compel;
Vain are concealment and evasion—
For each he opens heaven and hell.
Youth I
Morn's mystic rose is reddening on the hills,
Dawn's irised nautilus makes glad the sea ”

“ The creek goes twinkling through long glows and glooms
Of woodland quiet, poppied with perfumes:
The creek, in whose clear shallows minnow-schools
Glitter or dart; and by whose deeper pools
The blue kingfishers and the herons haunt;
That, often startled from the freckled flaunt
Of blackberry-lilies—where they feed and hide—
Trail a lank flight along the forestside
With eery clangor. Here a sycamore,
Smooth, wave-uprooted, builds from shore to shore
A headlong bridge; and there, a storm-hurled oak
Lays a long dam, where sand and gravel choke
The water's lazy way. ”

“ The glow-worm kindles its lanthorn lone;
They say that a woman floats dead, floats dead,
In a weedy space that the lilies lace,
A curse in her eyes and a smile on her face,
The miller's young wife with a gash in her head:
When the bark of the fox comes over the hill,
She floats alone by the rotting mill.
When the howl of the hound comes over the hill,
At twelve o'clock when the night is ill,
And the thunder mutters and forests sob,
And the fox-fire glows like the lamp of a Lob;
And under the willows, that gloom and glance,
The will-o'-the-wisps hold a devils' dance ”

“ Then out of the splendor and richness, that burned like a magic stone,
The torrent suffusion that deepened and dazzled and broadened and shone,
The pomp and the pageant of color, triumphal procession of glare,
The sun, like a king in armor, breathing splendor from feet to hair,
Stood forth with majesty girdled, as a hero who towers afar
Where the bannered gates are bristling hells and the walls are roaring war:
And broad on the back of the world, like a Cherubin's fiery blade,
The effulgent gaze of his aspect fell in glittering accolade. ”

“ Throbs; and the lane, that shambles under leaves
Limp with the heat—a league of rutty way—
Is lost in dust; and sultry scents of hay
Breathe from the panting meadows heaped with sheaves—
Now, now, O bird, what hint is there of rain,
In thirsty heaven or on burning plain,
That thy keen eye perceives?
III
But thou art right. ”

“ Down, down through vast storeys of darkness, behold, in the tower
Of the heaven, the thunder! on stairways of cloudy commotion,
Colossal of tread, like a giant, from echoing hour to hour
Goes striding in rattling armor ...
The Nymph, at her billow-roofed dormer
Of foam; and the Sylvan—green-housed—at her window of leaves appears;
—As a listening woman, who hears
The approach of her lover, who comes to her arms in the night ”

“ Part Faun, lay here; who left the shadow warm
As wildwood rose, and filled the air with balm
Of his sweet breath as with ethereal sap.
II
Does not the moss retain some vague impress,
Green dented in, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulously
Boast the indulgence of a deity?
And, hark! in burly beech and sycamore
How all the birds proclaim it! and the leaves
Rejoice with clappings of their myriad hands! ”

“ My lips, unsatisfied, thirst;
Mine eyes are accurst
With longings for visions that far in the night are forsaken;
And mine ears, in listening lost,
Yearn, yearn for the note of a chord that will never awaken.
II
Like palpable music thou comest, like moonlight ”

“ But who can sing the workmanship gigantic
That reared within its coruscating dome
The roaring fountain, hurling an Atlantic
Of streaming ice that flashed with flame and foam?
An opal spirit, various and many formed,—
In whose clear heart reverberant fire stormed,—
[23] Seemed its inhabitant ”

“ They are caviare to the general; and yet they have in them the best elements of popular favor.
"Cawein is a classicist. He will have it that poems, however humble the theme, however tender the sentiment, shall wear a tasteful Attic dress. I do not intimate that Mr. Cawein's mind has been too much saturated with the classical spirit or that his native instincts have been supplanted with Greek exotics and flowers out of the renaissance, but rather that his own mental constitution is of a classical as well as a romantic mould. ”

“ She seemed to hear him, who seemed to call,—
"Come hither, Maurine, the wild leaves fall!
"The wild leaves rustle, the wild leaves flee;
Come hither, Maurine, to the hollow tree!
"To the trysting tree, to the tree once green;
Come hither, Maurine! come hither, Maurine!" ... ”

“ That makes stout joist and rafter groan and sway,—
The harmless gossip of the passing day:
Good country talk, that tells how so-and-so
Has died or married; how curculio
And codling-moth have ruined half the fruit,
And blight plays mischief with the grapes to boot;
Or what the news from town; next county fair;
How well the crops are looking everywhere:
Now this, now that, on which their interests fix,
Prospects for rain or frost, and politics.
While, all around, the sweet smell of the meal
Filters, warm-pouring from the grinding wheel
Into the bin ”

“ That was his crime. Behold! E'en kings
Must reckon with Me. All are dust."
Zyps of
Zirl
The Alps of the Tyrol are dark with pines,
Where, foaming under the mountain spines,
The Inn's long water sounds and shines.
Beyond, are peaks where the morning weaves
An icy rose; and the evening leaves
The glittering gold of a thousand sheaves. ”

“ Cawein's makes them at home in English poetry. There is passion, too, and thought in his equipment...."—William Archer in the Pall Mall Magazine.
"I find in the best pieces an intoxicating sense of beauty, a richness, that is rarely achieved, although every young poet nowadays strives after it. I find, too, a daring use of language which sometimes, nay often, conducts to genuine and startling felicities."—Edmund Gosse. ”