Madison Julius Cawein

“ There is no metre that's half so fine
As the lilt of the brook under rock and vine;
And the loveliest lyric I ever heard
Was the wildwood strain of a forest bird.—
If the wind and the brook and the bird would teach
My heart their beautiful parts of speech,
And the natural art that they say these with,
My soul would sing of beauty and myth
In a rhyme and metre that none before
Have sung in their love, or dreamed in their lore,
And the world would be richer one poet the more.
II A thought to lift me up to those
Sweet wildflowers of the pensive woods ”

“ Blazed, like a satrap's triumph, in the west;
And watched her listening to the ocean's heave,
Dusk's golden glory on her face and breast,
And in her hair the rosy wind's caress,—
Pitying her dedicated tenderness.
When out of darkness night persuades the stars,
A dream shall bend above her saying, "Soon
A barque shall come with purple sails and spars,
Sailing from Tarsus 'neath a low white moon;
And thou shalt see one in a robe of Tyre
Facing toward thee like the god Desire.
"Rise then! as, clad in starlight, riseth Night—
Thy nakedness clad on with loveliness! ”

“ The pale moon o'er the smoke that dims
Its disc, I dream of wildwood limbs;
And still, and still,
I seem to hear, where shadows grope
Mid ferns and flowers that dewdrops rope,—
Lost in faint deeps of heliotrope
Above the clover-sweetened slope,—
Retreat, despairing, past all hope,
The whippoorwill, the whippoorwill.
REVEALMENT A sense of sadness in the golden air;
A pensiveness, that has no part in care,
As if the Season, by some woodland pool,
Braiding the early blossoms in her hair,
Seeing her loveliness reflected there,
Had sighed to find herself so beautiful. ”

“ The azure stars of the bluet bloom,
That sprinkle the woodland's trance—
No blink of blue that a cloud lets through
Is sweet as their countenance:
For, over the knolls that the woods perfume,
The azure stars of the bluet bloom
Are the light of the May's own glance.
With her wondering words and her looks she comes,
In a sunbeam of a gown;
She needs but think and the blossoms wink,
But look, and they shower down.
By orchard ways, where the wild bee hums,
With her wondering words and her looks she comes
Like a little maid to town.
WHAT LITTLE THINGS! ”

“ The wildflowers lifting, shyly sweet,
Their perfect faces from the plains,—
All high, all lowly things of Earth
For no vague end have had their birth.
Low strips of mist that mesh the moon
Above the foaming waterfall;
And mountains, that God's hand hath hewn,
And forests, where the great winds call,—
Within the grasp of such as see
Are parts of a conspiracy;
To seize the soul with beauty; hold
The heart with love: and thus fulfill
Within ourselves the Age of Gold,
That never died, and never will,—
As long as one true nature feels
The wonders that the world reveals. ”

“ Hushed its heart, and, wrapped in bloom,
Breathed a welcome of perfume.
To its beauty bush and tree
Stretched sweet arms of ecstasy;
And the soul within the rock
Lichen-treasures did unlock
As upon it fell its eye;
And the earth, that felt it nigh,
Into wildflowers seemed to sigh....
Was it dryad? was it faun?
Wandered from the times long gone.
Was it sylvan? was it fay?—
Dim survivor of the day
When Religion peopled streams,
Woods and rocks with shapes like gleams,—
That invaded then my dreams?
Was it shadow? was it shape? ”

“ Yet Nature in the end denied
The thing he had not asked for—fame!
Unknown, in poverty he died,
And men forget his name.
GARDEN GOSSIP Thin, chisel-fine a cricket chipped
The crystal silence into sound;
And where the branches dreamed and dripped
A grasshopper its dagger stripped
And on the humming darkness ground.
A bat, against the gibbous moon,
Danced, implike, with its lone delight;
The glowworm scrawled a golden rune
Upon the dark; and, emerald-strewn,
The firefly hung with lamps the night.
The flowers said their beads in prayer,
Dew-syllables of sighed perfume ”

“ With arms and lips of warm perfume,
The dream of Love my Fancy knows.
The glowworm and the firefly glow
Among the ways of bygone days;
A golden shaft shot from a bow
Of silver, star and moon swing low
Above the hills where twilight lies:
And o'er the hills my Longing flies,
Following the star's far-arrowed gold,
Unto a gate where, as of old,
She waits amid the rose and rue,
With star-bright hair and night-dark eyes,
The dream, to whom my heart is true,
My dream of Love that never dies. ”

“ Lives on in wildwood brook and tree
Each myth, each old divinity.
For me still laughs among the rocks
The Naiad; and the Dryad's locks
Drop perfume on the wildflower flocks.
The Satyr's hoof still prints the loam;
And, whiter than the wind-blown foam,
The Oread haunts her mountain home.
To him, whose mind is fain to dwell
With loveliness no time can quell,
All things are real, imperishable.
To him—whatever facts may say—
Who sees the soul beneath the clay,
Is proof of a diviner day.
The very stars and flowers preach
A gospel old as God, and teach
Philosophy a child may reach ”

“ Everywhere the silence ticked
As with hands of things that picked
At the loam, or in the dew,—
Elvish sounds that crept or flew,—
Beak-like, pushing surely through.
Down the forest, overhead,
Stammering a dead leaf fled,
Filled with elemental fear
Of some dark destruction near—
One, whose glowworm eyes I saw
Hag with flame the crooked haw,
Which the moon clutched like a claw.
Gradually beneath the tree
Grew a shape; a nudity:
Lithe and slender; silent as
Growth of tree or blade of grass;
Brown and silken as the bloom
Of the trillium in the gloom,
Visible as strange perfume. ”

“ And 'mid their sheaves,—where, like a daisy-bloom
Left by the reapers to the gathering gloom,
The star of twilight glows,—as Ruth, 'tis told,
Dreamed homesick 'mid the harvest fields of old,
The Dusk goes gleaning color and perfume
From Bible slopes of heaven, that illume
Her pensive beauty deep in shadows stoled.
Hushed is the forest; and blue vale and hill
Are still, save for the brooklet, sleepily
Stumbling the stone with one foam-fluttering foot:
Save for the note of one far whippoorwill,
And in my heart her name,—like some sweet bee
Within a rose,—blowing a faery flute. ”

“ BEAUTIFUL-BOSOMED, O NIGHT I Beautiful-bosomed, O Night, in thy noon
Move with majesty onward! soaring, as lightly
As a singer may soar the notes of an exquisite tune,
The stars and the moon
Through the clerestories high of the heaven, the firmament's halls:
Under whose sapphirine walls,
June, hesperian June,
Robed in divinity wanders. Daily and nightly
The turquoise touch of her robe, that the violets star,
The silvery fall of her feet, that lilies are,
Fill the land with languorous light and perfume.—
Is it the melody mute of burgeoning leaf and of bloom? ”

“ The twin-leaf and the blood-root bloom;
And, circled by the amber air,
Life sits with beauty and perfume
Weaving the new web of her loom.
He calls me where the waters run
Through fronding ferns where wades the hern;
And, sparkling in the equal sun,
Song leans above her brimming urn,
And dreams the dreams that love shall learn.
The wind has summoned, and I go:
To read God's meaning in each line
The wildflowers write; and, walking slow,
God's purpose, of which song is sign,—
The wind's great, gusty hand in mine. ”

“ Like a visible aroma lingered sparkling in the sun:
How she stooped to kiss the pathos of an elf-lock of his beard,
In a mockery of parting and mock pity of his weird:
But her magic had forgotten that "who bends to give a kiss
Will but bring the curse upon them of the person whose it is":
So the silence tells the secret.—And at night the faeries see
How the tossing bloom is Vivien, who is struggling to be free,
In the thorny arms of Merlin, who forever is the tree. ”

“ And Silence ruled the deep's abyss;
And through dark leaves thou saw'st the white
Breasts of the starry maids who kiss
Pale feet of moony Artemis.
Thy dreams! when, breasting matted weeds
Of Arethusa, thou didst hear
The music of the wind-swept reeds;
And down dim forest-ways drew near
Shy herds of slim Arcadian deer.
Thy wisdom! that knew naught but love
And beauty, with which love is fraught;
The wisdom of the heart—whereof
All noblest passions spring—that thought
As Nature thinks, "All else is naught."
Thy hope! wherein To-morrow set
No shadow ”

“ A shaggy shadow, on the knoll;
And tunneling his thoroughfare
Beneath the soil, I watched the mole—
Stealth's own self could not take more care.
I heard the death-moth tick and stir,
Slow-honeycombing through the bark;
I heard the cricket's drowsy chirr,
And one lone beetle burr the dark—
The sleeping woodland seemed to purr.
And then the moon rose: and one white
Low bough of blossoms—grown almost
Where, ere you died, 'twas our delight
To meet,—dear heart!—I thought your ghost.... ”

“ But on those heights the woodland dark is still,
Expectant of its coming.... Far away
Each anxious tree upon each waiting hill
Tingles anticipation, as in gray
Surmise of rapture. Now the first gusts play,
Like laughter low, about their rippling spines;
And now the wildwood, one exultant sway,
Shouts—and the light at each tumultuous pause,
The light that glooms and shines,
Seems hands in wild applause.
How glows that garden!—Though the white mists keep
The vagabonding flowers reminded of
Decay that comes to slay in open love,
When the full moon hangs cold and night is deep ”

“ And clogged with leaves the forest-creek;
Now that the woods look blown and bleak,
And webs are frosty white at morn;
At night beneath the spectral sky,
A far foreboding cry I hear—
The wild fowl calling as they fly?
Or wild voice of the dying Year?
XIII And still my soul holds phantom tryst,
When chestnuts hiss among the coals,
Upon the Evening of All Souls,
When all the night is moon and mist,
And all the world is mystery;
I kiss dear lips that death hath kissed,
And gaze in eyes no man may see,
Filled with a love long lost to me. ”

“ II Sometimes she seems a faint perfume,
A fragrance that a flower exhaled
And God gave form to; now, unveiled,
A sunbeam making gold the gloom
Of vines that roof some woodland room
Of boughs; and now the silvery sound
Of streams her presence doth assume—
Music, from which, in dreaming drowned,
A crystal shape she seems to bloom.
III Sometimes she seems the light that lies
On foam of waters where the fern
Shimmers and drips; now, at some turn
Of woodland, bright against the skies,
She seems the rainbowed mist that flies ”

“ Overhead the curving moon
Pierced the twilight: a cocoon,
Golden, big with unborn wings—
Beauty, shaping spiritual things,
Vague, impatient of the night,
Eager for its heavenward flight
Out of darkness into light.
Here and there the oaks assumed
Satyr aspects; shadows gloomed,
Hiding, of a dryad look;
And the naiad-frantic brook,
Crying, fled the solitude,
Filled with terror of the wood,
Or some faun-thing that pursued.
In the dead leaves on the ground
Crept a movement ”

“ On which the gray moon flung its glare.
Then I went forward, sword in hand,
Until the slimy causeway loomed,
And huge beyond it yawned and gloomed
The gateway where one seemed to stand,
In armor, like a burning brand,
Sword-drawn; his visor barred and plumed.
And I went toward him, sword in hand.
He should not stay revenge from me.
Whatever lord or knight he were,
He should not keep me long from her,
That woman dyed in infamy.
No matter. God or devil he,
His sword should prove no barrier.—
Fool! who would keep revenge from me! ”

“ Where all the nights resign them to the moon,
And drug their souls with odor and soft tune,
And tell their dreams in starlight: where the hours
Teach immortality with fadeless flowers;
And all the day the bee weights down the bloom,
And all the night the moth shakes strange perfume,
Like music, from the flower-bells' affluence.
Let us go far from hence.
Why should we sit and weep,
And yearn with heavy eyelids still to sleep? ”

“ And the woodland silence listens to a legend never old,
Of the Lady of the Fountain, whom the faery people know,
With her limbs of samite whiteness and her hair of golden glow,
Whom the boyish South Wind seeks for and the girlish-stepping Rain;
Whom the sleepy leaves still whisper men shall never see again:
She whose Vivien charms were mistress of the magic Merlin knew,
That could change the dew to glowworms and the glowworms into dew.
There's a thorn tree in the forest, and the faeries know the tree,
With its branches gnarled and wrinkled as a face with sorcery ”

“ Let me behold how gladness gives the whole
The transformed countenance of my own soul—
Between the sunset and the risen moon
Let sorrow vanish soon.
And these things then shall keep me company:
The elfins of the dew; the spirit of laughter
Who haunts the wind; the god of melody
Who sings within the stream, that reaches after
The flow'rs that rock themselves to his caress:
These of themselves shall shape my happiness,
Whose visible presence I shall lean upon,
Feeling that care is gone. ”

“ A lute for the music of God, that lips, which are mortal, but stammer!
Smite every rapturous wire
With golden delirium, rebellion and silvery clamor,
Crying—"Awake! awake!
Too long hast thou slumbered! too far from the regions of glamour
With its mountains of magic, its fountains of faery, the spar-sprung,
Hast thou wandered away, O Heart!"
Come, oh, come and partake
Of necromance banquets of Beauty; and slake
Thy thirst in the waters of Art,
That are drawn from the streams
Of love and of dreams. ”

“ A moon-magnolia is the dusk
Closed in a dewy husk.
However much,
No bloom gives such
Soft fragrance as thy bosom's touch.
The flowers blooming now will pass,
And strew the grass, and strew the grass;
The night, like some frail flower, dawn
Will soon make gray and wan.
Still, still above,
The flower of
True love shall live forever, Love.
IN THE LANE When the hornet hangs in the hollyhock,
And the brown bee drones i' the rose ”

“ For night, the moon, and love and you—
These are the things that made me late.
PATHS I What words of mine can tell the spell
Of garden ways I know so well?—
The path that takes me in the spring
Past quince-trees where the bluebirds sing,
And peonies are blossoming,
Unto a porch, wistaria-hung,
Around whose steps May-lilies blow,
A fair girl reaches down among,
Her arm more white than their sweet snow. ”

“ THE POETRY OF MADISON CAWEIN When a poet begins writing, and we begin liking his work, we own willingly enough that we have not, and cannot have, got the compass of his talent. We must wait till he has written more, and we have learned to like him more, and even then we should hesitate his definition, from all that he has done, if we did not very commonly qualify ourselves from the latest thing he has done. ”

“ A spray of mignonette,
Will fill the soul with dreams
More than all history says,
Or romance of old days.
For of the human heart,
Not brain, is memory;
These things it makes a part
Of its own entity;
The joys, the pains whereof
Are the very food of love.
IN THE SHADOW OF THE BEECHES In the shadow of the beeches,
Where the fragile wildflowers bloom;
Where the pensive silence pleaches
Green a roof of cool perfume,
Have you felt an awe imperious
As when, in a church, mysterious
Windows paint with God the gloom?
In the shadow of the beeches,
Where the rock-ledged waters flow ”

“ Thou dirge, that tellest Beauty she must die.
IV And when the frantic
Wild winds of Autumn with the dead leaves antic;
And walnuts scatter
The mire of lanes; and dropping acorns patter
In grove and forest,
Like some frail grief with the rude blast thou warrest,
Sending thy slender
Far cry against the gale, that, rough, untender,
Untouched of sorrow,
Sweeps thee aside, where, haply, I to-morrow
Shall find thee lying—tiny, cold and crushed,
Thy weak wings folded and thy music hushed. ”