Manly Bannister

Summary

Manly Bannister The great illusion (1956)

For the time of the play, you are caught up in the illusion of reality that grips you. That's the way it is here on Hume.
"You look around you in the broad light of day. You see a pastoral idyll. Everybody's happy. Everybody gets along with everybody else. All the people are beautiful, agreeable and kind. They have a simple culture, too far down the scale to admit to intercourse with the rest of the galaxy.
"Look twice, though, and you see something else...."
"All right," said Spliid. "Let's get back to camp."
The sloping canvas top of Rowley's tent bulked dimly in the starlight.
Source: Gutenberg

Manly Bannister The great illusion (1956)

Why did he think that the real culture of Hume was otherwise than what he saw? A thousand thousand villages, purpling in the swift-rushing sunset ... a myriad of slender semi-savages, who spent their lives tending the trees. If he, Rowley, could perceive more than other men, then what did he perceive here? He wished he knew.
What was the real culture? What lay behind this facade? Why did he think the impressions of his ordinary senses reported only the outward effect of a mere stage play? It was a mighty big play, performed for a very small audience—the eleven investigators for Galethsurv.
Source: Gutenberg

Manly Bannister The great illusion (1956)

Rowley grinned. "You won't believe this. The directors needed something to keep their play actors busy ... some logical occupation of their time. What could they find more logical—to them—than taking care of trees? Because the directors themselves are the trees—the living, intelligent forest of Hume. Fantastic, isn't it?"
Spliid sighed as if deeply gratified.
"If it weren't for one thing even more so, I'd say it was the most fantastic thing I ever heard of."
"What's more fantastic than intelligent trees?"
"Human beings," said Spliid.
Source: Gutenberg

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