Sarong

Definition and stakes

Rounsevelle Wildman,  Tales of the Malayan Coast

“ The women I meet simply draw their sarongs more closely about their heads as the sun ascends higher and higher into the heavens, and go clattering off down the road in their wooden pattens, unconscious of my envy or wonderment.
The sarong is more to the Malay than is [73] the kilt to the Scotchman. It is his dress by day and his covering at night. He uses it as a sail when far out from land in his cockle-shell boat, or as a bag in which to carry his provisions when following an elephant path through the dense jungle.
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Source: Gutenberg

Rounsevelle Wildman,  Tales of the Malayan Coast

“ The weaving of a sarong represents the labor of twenty days, and when we gave the dried-up old worker two dollars and a half for one, her syrah-stained gums broke forth from between her bright-red lips in a ghastly grin of pleasure.
There must have been the representatives of at least four generations under the punghulo’s hospitable roof. Men and women, alike, were dressed in the skirt-like sarong which fell from the waist down; above that some of the older women wore another garment called a kabaya. The married women [58] were easily distinguishable by their swollen gums and filed teeth.
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Source: Gutenberg

Portrait of George Hamlin Fitch George Hamlin Fitch,  The Critic in the Orient

“ The Malays and East Indians furnish the most picturesque feature of all street crowds. The Malays, dark of skin, with keen faces, wear the sarong, a skirt of bright-colored silk or cotton wrapped about the loins and falling almost to the shoe. The sarong is scant and reminds one strongly of the hobble-skirt, as no Malay is able to take a full stride in it. The skirt and jacket of the Malay may vary, but the sarong is always of the same style, and the brighter the color the more it seems to please the wearer. The East Indians are of many kinds. ”
Source: Gutenberg

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