Margaret Benson

Margaret Benson

Summary

Portrait of Margaret Benson Margaret Benson Subject to Vanity (1895)

Now and then, indeed, when twilight came on, she rushed in and out of the room, alternately defying the kitten and flying from it; but not the most unimaginative cat on earth can resist the excitement of the growing darkness, when the eyes flash out in amethyst and topaz, and the pupils dilate with dramatic terror and eagerness. But twilight deepened into dark, and candles were lighted and fairyland stopped, and the legs of the tables and chairs ceased to be tree-trunks in a jungle, and Persis came back to life in the schoolroom, and despair clouded back on to her brow.
Source: Gutenberg

Portrait of Margaret Benson Margaret Benson Subject to Vanity (1895)

Who ever knew a cat of really fine character, and yet why otherwise do they suffer such bitter experience? Not experience merely of pans and pots and cat-hunts, which only touch the physical cat; but of the real, keen, emotional suffering of the moral cat, fierce pangs of envy, and the burden of alienated affection? I think cats must be meant to be good rather than beautiful.
When Persis walked out of her travelling-basket, I thought that I had never seen so pretty a kitten.
Source: Gutenberg

Portrait of Margaret Benson Margaret Benson Subject to Vanity (1895)

I have not had the heart to banish the kitten altogether, yet when she is there I can seldom get a purr or a look from the cat. One day I persuaded her to let me stroke her under the ears and the throat; this is almost like mesmerism to a cat, and if one can persuade them to let one begin, one can do almost anything with them; and so I was gradually bringing her to a happier state of mind, when the friendly kitten, perceiving that something sociable was going on, came up to share in it. They met face to face as Persis took turns up and down under my hand.
Source: Gutenberg

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