Summary

Portrait of Margaret Deland Margaret Deland Beads: War-time Reflections in Paris (1918)

Gaston is obligingly ready to cut anybody's throat at any time. He makes his vicious little gesture when various people are named, especially the German Emperor. And everybody who sees him do it nods approval. Here it is—that uprush of rage! We are, all of us non-combatants, accepting killing as a commonplace—just as in our dreams we are matter-of-fact over the most preposterous happenings of joy or horror, and the ages of evolution which have named them "right" or "wrong" are as though they had never been. Possibly the commonplaceness of it is because murder is loose now in the world.
Source: Wikisource

Portrait of Margaret Deland Margaret Deland Beads: War-time Reflections in Paris (1918)

So, while the nation waits for "victory," some people face the fact that victory may bring France to the edge of an "abyss."
The essence of war is the substitution of one set of ideals for another; it offers certain spiritual gains—courage, self-sacrifice, loyalty; against those gains thoughtful persons must set the spiritual losses—one dares not enumerate them! But is one of these losses to be the throwing over, with a coup de main, of sex ethics which, imperfect as they are, have taken us so long, so very long, to build up?
Source: Wikisource

Portrait of Margaret Deland Margaret Deland Beads: War-time Reflections in Paris (1918)

Which makes me wonder, while I thread my beads in so many shades of crimson—Gaston's scarlet, the girls' blush-rose and pink, my own dull red—whether our fury is perhaps not ours, but just a ripple creeping into the pools and inlets of our minds from the tide of rage which at certain moments rises—must rise!—in the minds of the men in the trenches (the Boche and the Allies) who, without the assistance of personal animosity, must do this wet, dirty, bad-smelling business of killing?
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature