Margaret Sherwood

Summary

Margaret Sherwood Daphne, an Autumn Pastoral (1903)

Over the shallow tufa basin of the great fountain on the hill Daphne stood gazing into the water. She had sought the deep shadow of the ilex trees, for the afternoon was warm, an almost angry summer heat having followed yesterday's coolness. Her yellow gown gleamed like light against the dull brown of the stone and the dark moss-touched trunks of the trees. Whether she was looking at the tufts of fern and of grass that grew in the wet basin, or whether she was studying her own beauty reflected there, no one could tell, not even Apollo, who had been watching her for some time.
Source: Wikisource

Margaret Sherwood Daphne, an Autumn Pastoral (1903)

Daphne gathered her skirts in one hand and fled. She ran as only an athletic girl can run, swiftly, gracefully. Her skirt fluttered behind her; her soft dark hair fell and floated on the wind.
The whistle did not cease, though the man was motionless now. It changed from its melody of sheer joy to wonder, amazement, suspense. It took on soothing tones; it begged, it wheedled. So a mother would whistle, if mothers whistled, over the cradle of a crying child, but the girl did not stop. She was running up a hill, and at the top she stood, outlined in blue, against a bluer sky.
Source: Wikisource

Margaret Sherwood Daphne, an Autumn Pastoral (1903)

That divine whistle, mellow, mocking, irresistible, still was heard when morning lay on the hills. Often, when afternoon had touched all the air to gold, when the shadows of chestnut and cypress and gnarled olive lay long on the grass, other sounds floated down to Daphne, music from some instrument that she did not know. It was no harp, surely, yet certain clear, ranging notes seemed to come from the sweeping of harp strings; again, it had all the subtle, penetrating melody of the violin. Whatever instrument gave it forth, it drew the girl's heart after it to wander its own way.
Source: Wikisource

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