Summary

Mark Lemon Once a Week, Series 1, Volume VIII…

Everyone still smiled upon them, and cheered with lusty shouts, until Buskin could not help remarking, ‘I had no idea that we could have been so recognised. These people must have come frequently to the theatre, regardless of the distance.’ ‘And we really must have made a strong impression upon their rude minds,’ replied Miss Bugles; ‘the fact promises well for the next season.’ On, on! still on! as the novelists say, and still the same pleasant greeting everywhere, and never did a happier couple pull up at the Red Lion to change horses than Harry Buskin and Adeline Bugles.
Source: Wikisource

Mark Lemon Once a Week, Series 1, Volume VIII…

He had the making of a good actor, but was painfully sensitive—he cared too much for his audience. I remember one night he was playing Hamlet for his benefit. I was the Ghost—being a benefit night I played anything. Buskin had his own conception of the Royal Dane, and one of his points was this. When the Ghost had beckoned him to ‘more removed ground,’ Hamlet began a sort of telegraphic communication with ‘his father’s spirit,’ now leaning on his sword, now waving his hand to the paternal shade, and then wiping the sweat drops from his brow.
Source: Wikisource

Mark Lemon Once a Week, Series 1, Volume VIII…

With the grace of a Charles Kemble, Buskin handed Bugles into the Red Lion, and having partaken of a little refreshment, re-conducted her to the post-chaise. ‘Horror on horror’s head accumulate!’ What did they see! With a glance their Aladdin’s palace vanished.” (I think he said Aladdin’s palace.) “The secret of their great popularity was disclosed! The ‘property man’ of the theatre had tied behind their post-chaise, with its four legs sticking out, the wicker-work elephant used in the comic pantomime of Blue Beard!”
Source: Wikisource

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