Mary De Morgan

Summary

Mary De Morgan The windfairies, and other tales (1900)

The pipes raised themselves from the ground, and untwisted, and became tall, lithe men; some gradually uncurled themselves, and put forth long arms and became beautiful girls, till each instrument had taken the likeness of a human being. Then they began to dance and to sing, and Hulda watched them as Othmar had watched them, and she too felt as if she had never seen and heard anything so beautiful in her life, and she longed to rush to them, but she heard the raven croak above her, and remembered the words of the fool, “The raven, the raven, do what the raven does.”
Source: Gutenberg

Mary De Morgan The windfairies, and other tales (1900)

The musicians began to play, and then Lucilla stepped forth on the platform and began to dance. She felt as light as the sea foam, and when she swayed and curved to the sound of the music, it seemed to her as if she heard only the swish of the waves as they beat upon the shore, and the murmur of the wind as it played with the water, and she thought of her husband out at sea, with the wind blowing his ship along, and of her little babies living in the cottage on the beach.
Source: Gutenberg

Mary De Morgan The windfairies, and other tales (1900)

The voice came from the beech tree, and among the leaves she saw a small twisted face looking at her. “Thank you, Nanina, for saving my bough,” said the tree, “and if you mind me, you shall get all your sheep back again.”
“My sheep,” cried Nanina. “Only tell me, and I will do anything.”
“Then you must not dance. Every time you refuse to dance with the fairy, one of your flock will be returned.”
“But how can I refuse to dance?” cried Nanina, “for as I hear the pipe beginning, my feet begin to move of themselves, it is no use my trying,” and she cried aloud.
Source: Gutenberg

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