Mary E. Wilkins Freeman,
Sour Sweetings
(1915)
“ She called Julius into the parlor, which was rather a magnificent room after Jane Whittemore's ideas. It was resplendent with red-silk damask, lace draperies, one or two really good oil-paintings, Royal Worcester vases, and a Parian marble statue in a corner. Nelly almost never entered it. She called Julius in there now because it was the most isolated room in the house. Thin and pale and pretty in her pale-blue muslin, she stood before her husband at one end of the faintly glowing room, and spoke.“Julius,” she said, “I think the time has come for me to speak. I have been silent a long time.” ”
