Mary E. Wilkins Freeman

Mary E. Wilkins Freeman

Summary

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Sweet-flowering Perennial (1915)

Clara saw the fair head of the young man on Selma's black-satin lap. She saw the broad young shoulders heave. She saw Selma Windsor put her hand lovingly on the fair hair and stroke it, and murmur something which she did not catch. But soon the young man stood up, and his white face was lit by a brave smile.
“Oh, of course, Miss Windsor,” he said, “it is all the fortune of life and love and war. Of course I have courage enough to take what comes. Of course I am not beaten. Of course I am young, and shall get over it. I am not a coward.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Sweet-flowering Perennial (1915)

It was not so much that she looked young in color and contour, but the very essence of youth was in her carriage and her glance. She looked alive, as only living things which have been a short time upon the earth look alive. Her blue eyes were full of challenge; her chin had the lift of a conqueror; her very hair sprang from its restraining pins with the lustiness of childhood.
Selma and Clara sat together lingeringly over their breakfast, then Selma excused herself, and Clara settled herself happily in the library with newspapers and magazines.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Sweet-flowering Perennial (1915)

Clara did not reply. She had known very little about Selma, except through those days at school. Selma began to talk more freely than she had ever done. She told how her home life had been saddened, even embittered, by an older sister who was an invalid; one of those kickers against the pricks who drag all who love them into their own abyss of misery. Selma and her father and mother had been as beaten slaves under that sore tyranny, which had endured until the sister died, long after Selma's youth had passed.
Source: Wikisource

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