Mary E. Wilkins Freeman

Mary E. Wilkins Freeman

Summary

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman The Fair Lavinia (1907)

Harry was gazing up with great black eyes, as full of wondering delight as a child's, at the blue crystal of the sky, against which tossed the gold feathers of the trees, when another young man, emerging from the parson's gate, purposely collided with him. Harry's hand which did not hold the book clinched involuntarily, and he frowned; for although destined for the ministry, he had fighting blood in his veins. Then he laughed, for it was only John Brooks, who was always playing off a jest upon some one whenever he was able.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman The Fair Lavinia (1907)

She was no sooner in her bedroom removing the dust of travel than John Brooks had Harry Fielding by the velvet collar and was shaking him. “And you knew not how that beauty looked,” cried he. “Fie! man, hast no eyes in thine head?”
Fielding shook himself free. “Isabel is well enough to see,” he replied, “but I have always seen her, and, to tell the truth, she looks to me as like other girls as one of those pinks in the bed yonder looks like all the other pinks.”
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman The Fair Lavinia (1907)

For the rest, she is as fair as a lily, and it seems as if her veins ran silver; and her eyes are like violets, and her throat is long and white, and drooping in the swath of lace which veils its fairness; and her hair is long, with curls over the ears, and caught up with a high comb, and shining like gold. And her cheeks and lips are like blushing roses. She is the belle of all Whitfield, and indeed of the whole country; and yet she has seen no one to whom her heart inclined, although she is so gentle to all, and so pitying that she has not love to give them.
Source: Wikisource

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