Mary Heaton Vorse

Mary Heaton Vorse

Summary

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Get-away (1916)

Paul's tragedy began by listening to the venomous counsels of Hemmingway, the philosopher. Hemmingway sat upon his piazza surrounded by beautiful children of his own begetting, a charming and able wife, whose eye was at once both humorous and cynical, and a philosophy that harked back from some forgotten era of the nineteenth century.
"Women," he boomed, "need to be made love to; only by making love to women can you get to know them. It's the only way for a man of intelligence to begin an acquaintance with a woman—to make love to her."
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Get-away (1916)

Contrary to his intention, Paul removed himself to smoke his cigarette at Simone's. A week has passed, remember—a week in a desert! A week filled with the companionship of a swiftly moving and perilous friendship; a week full of windy talk about the equal place in the world of men and women; a week where they had brandished their spears against the old demon Convention, where they had had the fine, heady feeling of being free spirits.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Get-away (1916)

No one knows why New England town halls do burn up, but this has been for a long time their characteristic. Ancient houses, their yards full of flowering shrubs, slumbered under the shady elms. A motor-car seemed almost an impertinence here, so much did one appear to have turned back the hand of time.
Paul, whose senses and sensibilities had all been sharpened by the exciting occurrences of the day, fancied himself in a fabled country. The town had a dream-like mellowness that ill accorded with the fiction common to New England that had fallen Paul's way.
Source: Wikisource

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