Mary Stewart Cutting,
Some of Us Are Married — The Purveyor of the Funds
(1920)
“ Rill emerged, rosy and star-eyed, from the darkness of the piazza corner and the now doubly occupied hammock, folio wed by the lover to the lighted hallway to say good-bye to the traveller, Rill, as usual, clinging tightly around her father's neck—she was nearly as tall as he was—with her soft yellow hair all over his face, and young Holman Wotherspoon shaking hands with a clean, firm grip, in spite of his slender and boyish aspect. ”
