Maxwell Bodenheim

Maxwell Bodenheim

Summary

Portrait of Maxwell Bodenheim Maxwell Bodenheim,  Against This Age

“ A woman’s leg becomes a fat blasphemy and within its shaking famous jelly you can spy a saint, writhing in the effort to free himself. A young man’s shoulders are two, dead, delicate thoughts caught in a bulging tomb, with their ghosts speaking through each unconscious movement of his arms. The street-pavement lives and is a hard, detached hatred, sapping the strength of those who have enslaved it.... Sometimes I’ve returned to this room, not to rest, for weariness springs only from that thick weakness of imagination known as flesh, but to find you here before the final emphasis of your death. ”
Source: Gutenberg

Portrait of Maxwell Bodenheim Maxwell Bodenheim,  Against This Age

“ People streamed out—a regiment disbanded after a lonely and forced conflict with thought in uncomfortable seats, or with diluted chatter that fascinated their inner emptiness. They were the people whose vast insistence and blundering control of the earth made him doubt the reality of the woman whom he loved. Oh, to feel once more certain that she was human—that her incredibly tenuous aloofness could stoop to the shields of flesh! ”
Source: Gutenberg

Portrait of Maxwell Bodenheim Maxwell Bodenheim,  Against This Age

“ His mind gathered itself to that tight and aching lunge known as emotion, and morbidly he involved her in disasters—train-wrecks, suicide, the assault of another person. He began to feel that melodrama was the only overwhelming sincerity in a tangle of crafty or poorly adjusted disguises, and his emotional activity fed eagerly upon this belief. All of the paraphernalia of fatalism rose before his eyes—the small, lit stage with its puppets; the myriads of strings extending into a frame of darkness and pulled by invisible hands ”
Source: Gutenberg

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