Miriam Michelson

Miriam Michelson

Summary

Portrait of Miriam Michelson Miriam Michelson In the Bishop's Carriage

Lady Gray? Why, Mag, how can you ever hope to get on if you don't know who's who? How can you expect me to associate with you if you're so ignorant? Yes—a real Lady, as real as the wife of a Lord can be. Lord Harold Gray's a sure enough Lord, and she's his wife but—but a chippy, just the same; that's what she is, in spite of the Gray emeralds and that great Gray rose diamond she wears on the tiniest chain around her scraggy neck. Do you know, Mag Monahan, that this Lady Harold Gray was just a chorus girl—and a sweet chorus it must have been if she sang there!—when she nabbed Lord Harold?
Source: Gutenberg

Portrait of Miriam Michelson Miriam Michelson In the Bishop's Carriage

You know, Mag, every bit of recognition an actress steals from the world is so much capital. It isn't like the old graft when you had to begin new every time you took up a piece of work. And your name—the name the world knows—and its knowing it makes it worth having like everything—that name is the sum of every scheme you've planned, of every time you've got away with the goods, of every laugh you've lifted, of every bit of cleverness you've thought out and embodied, of everything that's in you, of everything you are.
Source: Gutenberg

Portrait of Miriam Michelson Miriam Michelson In the Bishop's Carriage

Imagine Nancy Olden without a chaperon—Shocking!
No, 'tisn't late. Sit down, Maggie, there, and let me get the stool and talk to you. Think of us two—Cruelty girls, both of us—two mangy kittens deserted by the old cats in a city's alleys, and left mewing with cold and hunger and dirt, out in the wet—think of us two in our own flat, Mag!
I say, it makes me proud of us! There are times when I look at every stick of furniture we own, and I try to pretend to it all that I'm used to a decent roof over my head, and a dining-room, kitchen, parlor, bedroom and bath.
Source: Gutenberg

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