Molly Elliot Seawell

Molly Elliot Seawell

Summary

Portrait of Molly Elliot Seawell Molly Elliot Seawell The Loves of the Lady Arabella (1898)

Her ladyship entered on Sir Peter’s arm; his face was very red, and he was growling under his breath, to which Lady Hawkshaw contributed an obligato accompaniment in a sepulchral voice; and behind them, in all the splendor of her beauty, walked Lady Arabella, and last, came sweet, sweet Daphne.
The first glimpse Giles caught of Lady Arabella seemed to renew in an instant the spell she had cast on him five years before. He seemed almost like a madman. He could do nothing but gaze at her with eyes that seemed starting out of his head. He grew pale and then red, and was like a man in a frenzy.
Source: Gutenberg

Portrait of Molly Elliot Seawell Molly Elliot Seawell The Loves of the Lady Arabella (1898)

Giles Vernon was still the dearest object of my admiration and affections—always excepting that divinely beautiful Lady Arabella. But this was rather the admiration of a glowworm for a star. I had no one else to love except Giles, and even a midshipman must love something.
I did not much trouble myself about that meeting, so far in the future, between Giles and Overton. Youth has no future, as it has no past.
Source: Gutenberg

Portrait of Molly Elliot Seawell Molly Elliot Seawell The Loves of the Lady Arabella (1898)

Lady Arabella Stormont had everything in life that heart could wish, except one. She had chosen to give her wilful and wayward heart to Philip Overton, and it must be acknowledged that he was a man well fitted to enchain a woman’s imagination. Overton had disdained the spontaneous gift of Arabella’s love; but I believe her haughty and arrogant mind could never be brought to believe that any man could be really insensible to her beauty, her rank, and her fortune. Overton could not in any way be considered a great match for her.
Source: Gutenberg

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