Summary

Portrait of Montague Rhodes James Montague Rhodes James More Ghost Stories of an Antiquary…

There can be no doubt of the new archdeacon’s zeal and enthusiasm. ‘Give me but time to reduce to some semblance of order the innumerable errors and complications with which I am confronted, and I shall gladly and sincerely join with the aged Israelite in the canticle which too many, I fear, pronounce but with their lips.’ This reflection I find, not in a diary, but a letter; the doctor’s friends seem to have returned his correspondence to his surviving sister. He does not confine himself, however, to reflections.
Source: Wikisource

Portrait of Montague Rhodes James Montague Rhodes James More Ghost Stories of an Antiquary…

When you enter the choir of Barchester Cathedral now, you pass through a screen of metal and coloured marbles, designed by Sir Gilbert Scott, and find yourself in what I must call a very bare and odiously furnished place. The stalls are modern, without canopies. The places of the dignitaries and the names of the prebends have fortunately been allowed to survive, and are inscribed on small brass plates affixed to the stalls.
Source: Wikisource

Portrait of Montague Rhodes James Montague Rhodes James More Ghost Stories of an Antiquary…

In addition to the arms of Dean West, by whose efforts the whole of the internal furniture of the choir was completed, the prayer-desk is terminated at the eastern extremity by three small but remarkable statuettes in the grotesque manner. One is an exquisitely modelled figure of a cat, whose crouching posture suggests with admirable spirit the suppleness, vigilance, and craft of the redoubted adversary of the genus Mus. Opposite to this is a figure seated upon a throne and invested with the attributes of royalty; but it is no earthly monarch whom the carver has sought to portray.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature