Nachman of Breslov

Nachman of Breslov

Summary

Portrait of Nachman of Breslov Nachman of Breslov Likutei Moharan — 54

And the one who plays, it is necessary that he knows how to play as mentioned, also he the instrument needs to be whole in order that the wind not go out mixed bad with good together. And therefore it is necessary that he knows to play and also that the instrument that he plays on be whole in completion as fit, which is the aspect of choosing out the good wind which is the aspect of joy aspect of spirit of prophecy from the sullen wind, which is the bad wind as mentioned.
Source: Wikisource

Portrait of Nachman of Breslov Nachman of Breslov Likutei Moharan — 54

And King David, alav haShalom, fled then from his kingdom because of Avshalom, and Shim`i Ben Gera cursed him, and said [2 Sam. 16:12] "Ulai yireh Hashem b`einai/Perhaps Hashem will look at my eyes" -- "at my eyes" specifically, because whoever sees that he falls into r`a `ayin, if he does not feel in himself that he can stand in this, to escape from it, he must flee from it, but whoever can repair, then he needs to repair and needs to see the substance of aspect of r`a `ayin in order to known the rood that he needs to repair through it.
Source: Wikisource

Portrait of Nachman of Breslov Nachman of Breslov Likutei Moharan — 54

And even someone who knows how to understand in this, i.e. he is privileged to understand the clues that Hashem Yithbarakh hints to him in every thing, and if so wants to delve only in this, i.e. to delve only in matters of this world, since he understands the clues that Hashem Yithbarakh hints him in them — but in truth this is not reality [eino ken] , because a man needs to have a limit on how much he is involved in this world — only what he absolutely needs from this world.
Source: Wikisource

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