Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/P.'s Correspondence (1854)

Ever since he has glided about the world like a ghost, sighing a melancholy tone in the ear of here and there a friend, but never sending forth his voice to greet the multitude. I can hardly think him a great poet. The burden of a mighty genius would never have been imposed upon shoulders so physically frail and a spirit so infirmly sensitive. Great poets should have iron sinews.
Yet Keats, though for so many years he has given nothing to the world, is understood to have devoted himself to the composition of an epic poem.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/P.'s Correspondence (1854)

But, to say the truth, a prodigiously fat man always impresses me as a kind of hobgoblin; in the very extravagance of his mortal system I find something akin to the immateriality of a ghost. And then that ridiculous old story darted into my mind, how that Byron died of fever at Missolonghi, above twenty years ago. More and more I recognize that we dwell in a world of shadows; and, for my part, I hold it hardly worth the trouble to attempt a distinction between shadows in the mind and shadows out of it.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/P.'s Correspondence (1854)

I took occasion to inquire of some of the countrymen of Burns in regard to the health of Sir Walter Scott. His condition, I am sorry to say, remains the same as for ten years past; it is that of a hopeless paralytic, palsied not more in body than in those nobler attributes of which the body is the instrument. And thus he vegetates from day to day and from year to year at that splendid fantasy of Abbotsford, which grew out of his brain, and became a symbol of the great romancer's tastes, feelings, studies, prejudices, and modes of intellect.
Source: Wikisource

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