Summary

William Morton Payne The Cambridge History of American Literature (1917)

Fifty years ago, the verdict of thoughtful Americans acclaimed Whittier as the foremost American poet, with the possible exception of Longfellow, and while now there would be more dissentients from that judgment than there were then, his fame still rests upon a very solid basis of acceptance and esteem. And especially to those who have sprung from the soil of New England, he will always be the incomparable poet of their childhood home, of its landscape, its legendry, and the spiritual essence of its history.
Source: Wikisource

William Morton Payne The Cambridge History of American Literature (1917)

But no American who lived in the shadow of slavery and internecine strife, none who grew to manhood in the generation succeeding those epic days, would dream of measuring his love and veneration for Whittier by the scale of absolute art. Whittier’s verse is so inwrought with the nation’s passion during that period of heightened consciousness that preserved the Union and redeemed it from the curse of slavery that it cannot be coldly and critically considered by any one who has had a vital sense of the agonies and exaltations of that critical time.
Source: Wikisource

William Morton Payne The Cambridge History of American Literature (1917)

The home which Snow-Bound describes was a comfortable one, as New England farmsteads went, and, in poetical retrospect, its gracious human aspects are raised to a prominence which somewhat obscures the hard facts of the daily life of the household. It was a life of toil, with meagre opportunities for recreation, and the young Whittier did not have the constitution needed for its requirements. The physical disabilities under which he laboured all his life were doubtless traceable to the hardships of these early years on the farm.
Source: Wikisource

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