Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — Market-day in Perugia (1860)

Through all this petty tumult, which kept beguiling one's eyes and upper strata of thought, it was delightful to catch glimpses of the grand old architecture that stood around the square. The life of the flitting moment, existing in the antique shell of an age gone by, has a fascination which we do not find in either the past or present, taken by themselves. It might seem irreverent to make the gray cathedral and the tall, time-worn palaces echo back the exuberant vociferation of the market
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — Market-day in Perugia (1860)

The great square, therefore, presented a far more vivacious spectacle than would have been witnessed in it at any other time of the week, though not so lively as to overcome the gray solemnity of the architectural portion of the scene. In the shadow of the cathedral and other old Gothic structures—seeking shelter from the sunshine that fell across the rest of the piazza—was a crowd of people, engaged as buyers or sellers in the petty traffic of a country fair.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne The Marble Faun/Volume 2 — Market-day in Perugia (1860)

Be the cause what it might, Donatello's eyes shone with a serene and hopeful expression while looking upward at the bronze pope, to whose widely diffused blessing, it may be, he attributed all this good influence.
"Yes, my dear friend," said he, in reply to the sculptor's remark, "I feel the blessing upon my spirit."
"It is wonderful," said Kenyon, with a smile, "wonderful and delightful to think how long a good man's beneficence may be potent, even after his death. How great, then, must have been the efficacy of this excellent pontiff's blessing while he was alive!"
Source: Wikisource

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