Richard Westmacott, Archaeological Journal (1846)
“ I now approach the last period of medieval art in England, in which the florid style of architecture, then adopted, demanded all the powers of the artist, and of the sculptor more especially, to contribute to the exuberance of embellishment displayed at that time in religious edifices. We owe the most splendid monument of that period, in England, the Chapel of Henry VII., rather to the fears of that prince, than to his taste or feeling towards the Arts. Happily that edifice was projected at a moment, the most favourable to the development of genius ”
