Richard Westmacott

Summary

Richard Westmacott,  Archaeological Journal (1846)

“ I now approach the last period of medieval art in England, in which the florid style of architecture, then adopted, demanded all the powers of the artist, and of the sculptor more especially, to contribute to the exuberance of embellishment displayed at that time in religious edifices.
We owe the most splendid monument of that period, in England, the Chapel of Henry VII., rather to the fears of that prince, than to his taste or feeling towards the Arts. Happily that edifice was projected at a moment, the most favourable to the development of genius
”
Source: Wikisource

Richard Westmacott,  Archaeological Journal (1846)

“ The history of the Arts at Pisa, from the tenth to the fourteenth century, supplies the best information on the state of Sculpture and Architecture in Italy. Pisa may be considered, indeed, as the cradle of the restoration. What the exact state of Art was in other countries, or rather the degree of civilization, to the twelfth century, it is difficult to ascertain; but the most immediate effect on the arts of England may be considered as having arisen out of the crusades, an event which had agitated and given an impulse to every northern nation. ”
Source: Wikisource

Richard Westmacott,  Archaeological Journal (1850)

“ It is not here the place to show the utility of Archaeology; it is sufficiently known, and professors have been appointed to teach it in almost every University on the continent. As Addison, a great admirer of antiquity has justly observed, 'mankind is too apt to think that every thing which is laughed at with any mixture of wit, is ridiculous in itself': but ridicule is not the test of truth, and when directed against objects that are great and respectable, is ultimately injurious to those only, who, from a want of solid argument, have recourse to such means. ”
Source: Wikisource

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