Summary

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and other stories

That evening a noble sunset flooded Wadsworth Scout with golden light. Groups of men stood about the small square, walking from the “Gooise” to the church, and returning again. The parson had locked himself in the church, and Pim o’ Cuddy had retired to his chamber. They watched the declining sun. As it dipped, the ridges and wrinkles of the Scout started out suddenly into strong relief, dramatic as if a scene had been changed at a playhouse; and suddenly a pigeon was seen to rise over James Eastwood’s roof and to wheel and circle as he neared his home.
Source: Gutenberg

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and other stories

Monjoy had been in Horwick for a couple of days; at nine o’clock of a July evening he climbed the Scout and strode along the Causeway. It was a serene and burning sunset, and the purple of the heather was turned to a rich low gold. Sheep called from hill to hill, and from time to time grouse rose and fled. Slowly the sun went down, turning the moor to ink; the moon would not rise till midnight; and only the grey Causeway seemed of itself to retain some dim glimmer of day.
Source: Gutenberg

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and other stories

Monjoy carried in his pocket a hammer and a short iron gavelock, and they grubbed sometimes in the choked bellpits, where the rain still trickled and whispered to the shaft below, sometimes at the dean-heads where the rills slipped down to the valleys, sometimes south over rocky Soyland and the Ridges of Brotherton and Holdsworth, and sometimes up the High Moor itself, where nothing stirred but the sheep and birds and the world seemed to end beyond the next undulation of the waist-high heather.
Source: Gutenberg

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