Onoto Watanna

Onoto Watanna

Summary

Portrait of Onoto Watanna Onoto Watanna His Royal Nibs (1925)

Of all the emotions, whether sublime or ridiculous, that obsess the victim of that curious malady of the heart which we call Love, none is more torturing or devastating in its effect than that of jealousy with its train of violent reactions.
Love affected and afflicted Hilda and Cheerio in different and yet in similar ways.
Hilda, kneeling by her bed, her arms clasped about her pillow, into which she had buried her hot young face, gave herself up at first to the sheer ecstasy and glow of those first exalting, electrical thrills. All she comprehended was that she was in love.
Source: Gutenberg

Portrait of Onoto Watanna Onoto Watanna His Royal Nibs (1925)

Hilda sprang to her feet, up in arms, on the defensive and the offensive. While the astonished Cheerio still extended the book—a silent peace offering—Hilda’s dark head tossed up, in that characteristic motion, while her foot stamped the ground.
“I don’t care for that kind of rot, thank you. My dad’s right. It’s better to be real people in the world rather than fake folk in a book.”
Again the head toss and the blaze of angry wide eyes; then, swift as a fawn, Hilda sped across the verandah and the ranch house door banged hard.
Source: Gutenberg

Portrait of Onoto Watanna Onoto Watanna His Royal Nibs (1925)

Hilda’s head, with its crown of chocolate-coloured hair and the darker eyes, the curiously dusky red that seemed burned by the sun into her cheeks, and the lips that were so vividly alive and scarlet.
Of all his subjects, she alone he drew from memory. He had found no difficulty in inducing his other subjects to “pose” for him. Even P. D. with old pipe twisted in the corner of his mouth had made no demur when Cheerio, pad and pencil in hand, seated on the steps of the ranch-house rapidly sketched his employer. The Indians were a never-failing source of inspiration to the artist.
Source: Gutenberg

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