P. G. Patmore

Summary

P. G. Patmore Mirror of the Months

What is every to-day of our life, but the hope (or the fear) of to-morrow? April, then, is worth two Mays, because it tells tales of May in every sigh that it breathes, and every tear that it lets fall. It is the harbinger, the herald, the promise, the prophecy, the foretaste of all the beauties that are{59} to follow it—of all, and more—of all the delights of Summer, and all the “pride, pomp, and circumstance of glorious” Autumn. It is fraught with beauties itself that no other month can bring before us, and
“It bears a glass which shews us many more.”
Source: Gutenberg

P. G. Patmore Mirror of the Months

But a single night’s frost makes sad havoc among both these bright ornaments of the Autumn Flower-garden; and what is to-day a rich cluster of green leaves, interspersed with gay groups of flowers, may to-morrow become, by an invisible agency, an unsightly heap of corruption.
London is so perfect an antithesis to the Country in all things, that whatever is good for the one is bad for the other. Accordingly, as the Country half forgets itself this month, so London just begins to know itself again.
Source: Gutenberg

P. G. Patmore Mirror of the Months

That is the Nightingale’s voice. The cold spells of winter, that had kept him so long tongue-tied, and frozen the deep fountains of his heart, yield before the mild breath of Spring, and he is voluble once more. It is as if the flood of song had been swelling within his breast ever since it last ceased to flow; and was now gushing forth uncontrollably, and as if he had no will to control it: for when it does stop for a space, it is suddenly, as if for want of breath. In our climate the nightingale seldom sings above six weeks; beginning usually the last week in April.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature