P. G. Wodehouse

P. G. Wodehouse

Summary

Portrait of P. G. Wodehouse P. G. Wodehouse A Damsel in Distress

Life is like some crazy machine that is always going either too slow or too fast. From the cradle to the grave we alternate between the Sargasso Sea and the rapids—forever either becalmed or storm-tossed. It seemed to Maud, as she looked across the dinner-table in order to make sure for the twentieth time that it really was George Bevan who sat opposite her, that, after months in which nothing whatever had happened, she was now living through a period when everything was happening at once. Life, from being a broken-down machine, had suddenly begun to race.
Source: Gutenberg

Portrait of P. G. Wodehouse P. G. Wodehouse A Damsel in Distress

And George, heaving himself up, walked back to the friendly cosiness of the Marshmoreton Arms. And the remarkable part of it was that everything seemed perfectly natural and sensible to him, nor had he any particular feeling that in falling in love with Lady Maud Marsh and pursuing her to Belpher he had set himself anything in the nature of a hopeless task. Like one kissed by a goddess in a dream, he walked on air; and, while one is walking on air, it is easy to overlook the boulders in the path.
Source: Gutenberg

Portrait of P. G. Wodehouse P. G. Wodehouse A Damsel in Distress

Nothing is harder to remember than a once-seen face. It had caused George a good deal of distress and inconvenience that, try as he might, he could not conjure up anything more than a vague vision of what the only girl in the world really looked like. He had carried away with him from their meeting in the cab only a confused recollection of eyes that shone and a mouth that curved in a smile; and the brief moment in which he was able to refresh his memory, when he found her in the lane with Reggie Byng and the broken-down car, had not been enough to add definiteness.
Source: Gutenberg

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