P. G. Wodehouse

P. G. Wodehouse

Summary

Portrait of P. G. Wodehouse P. G. Wodehouse The Coming of Bill

She had weighed Sybil in the same calm, complacent almost patronizing fashion in which she had weighed Bailey, Kirk, everybody. She had set her down as a delightful child, an undeveloped, feather-brained little thing, pleasant to spend an afternoon with, but not to be taken seriously by any one as magnificent and superior as Ruth Winfield. And what manner of a man must Bailey be, Bailey whom she had always looked on as a dear, but as quite a joke, something to be chaffed and made to look foolish, if he was capable of inspiring love like this?
Source: Gutenberg

Portrait of P. G. Wodehouse P. G. Wodehouse The Coming of Bill

A moment before Steve’s only immediate object in life had been to stay quiet and keep out of the way as much as possible. He had never been a man of ready speech in the presence of an angry woman; words intimidated him as blows never did, especially the whirl of words which were at Lora Delane Porter’s command in moments of emotion.
But this sudden onslaught upon Mamie, innocent Mamie who had done nothing to anybody, scattered his embarrassment and filled him with much the same spirit which sent bantam-weight knights up against heavy-weight dragons in the Middle Ages. He felt inspired.
Source: Gutenberg

Portrait of P. G. Wodehouse P. G. Wodehouse The Coming of Bill

Steve had gone. Only he and Ruth and the child were left.
The child—the White Hope—he was the real hero of the story, the real principal of the drama of their three lives. He was the link that bound them together, the force that worked for coherence and against chaos. He stood between them, his hands in theirs; and while he did so there could be no parting of the ways. His grip was light, but as strong as steel. Time would bring troubles, moods, misunderstandings, for they were both human
Source: Gutenberg

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