P. G. Wodehouse

P. G. Wodehouse

Summary

Portrait of P. G. Wodehouse P. G. Wodehouse Three Men and a Maid — CHAPTER 6 (1922)

Of all the learned professions, the imitation of Mr. Frank Tinney is the one which can least easily be carried through single-handed. The man at the piano, the leader of the orchestra, is essential. He is the life-blood of the entertainment. Without him, nothing can be done.
For an instant Sam stood there, gaping blankly. Then the open door of the saloon seemed to beckon an invitation. He made for it, reached it, passed through it. That concluded his efforts in aid of the Seamen's Orphans and Widows.
The spell which had lain on the audience broke.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Three Men and a Maid — CHAPTER 6 (1922)

Those nearest the piano—and nobody more quickly than Jane Hubbard—now observed that the white face of the man on the stool had grown whiter still. His eyes gazed out glassily from under his damp brow. He looked like a man who was seeing some ghastly sight. The audience sympathised with him. They felt like that, too.
In all human plans there is ever some slight hitch, some little miscalculation which just makes all the difference. A moment's thought should have told Eustace Hignett that a half-smoked cigar was one of the essential properties to any imitation of the eminent Mr.
Source: Wikisource

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