Summary

Portrait of Paul Alexander Bartlett Paul Alexander Bartlett The Haciendas of Mexico: An Artist's Record

Without boots or shoes they continued their barefoot war against the hacendados. Armed with machetes, men stole into enemy encampments and returned with guns. Some of the fighters believed the words of Zapata: "It is better to die on your feet than to live on your knees."
In their bravado, they carved initials and dates on trees, on the leaves of the maguey, and on the doors of churches and haciendas. "Freedom!" they cried.
Huddled around campfires, in their hideaways, they sang: "If I am to die tomorrow let them kill me right away."
By now many hacienda mansions had disappeared.
Source: Gutenberg

Portrait of Paul Alexander Bartlett Paul Alexander Bartlett The Haciendas of Mexico: An Artist's Record

Many haciendas can be reached only with difficulty by horse or by foot, by boat or motorcycle or jeep. Their isolation from the culture of Europe, three hundred years ago, impresses the mind with its severity. In their isolation, these estates recall the brave attempts of hacienda families to re-establish cultivated patterns of living in the New World, with fine china and crystal, grand pianos and chapel organs, ornate furnishings, paintings, and tapestries.
Source: Gutenberg

Portrait of Paul Alexander Bartlett Paul Alexander Bartlett The Haciendas of Mexico: An Artist's Record

By 1810, Augustinians, Carmelites, Dominicans, and Franciscans owned more than half of the nation's real estate.
As for slavery on the haciendas, when is a man a slave? He is a slave if he works in perpetual debt. If he cannot, under penalty of imprisonment and death, leave the hacienda and work elsewhere, he is a slave. From the days of the encomiendas (land grant estates) until 1910, workers were enslaved by the hacienda. A small hacienda kept ten or twelve black slaves.
Source: Gutenberg

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