Peter B. Kyne

Peter B. Kyne

Summary

Portrait of Peter B. Kyne Peter B. Kyne The Three Godfathers

The Worst Bad Man, whose courage, for all his deviltry, had its limitations, went and sat down on the tongue of the wagon and tried to think. But scourged with the horror of this most terrible of human travail, he fled up the arroyo out of hearing. On the top of one of the little black volcanic hills, from which eminence he could look down on the wagon, he stood, active, alert, like a mountain sheep on guard, and beckoned to his friends to join him. The Youngest Bad Man obeyed his frantic signals, but The Wounded Bad Man stayed at the wagon.
Source: Gutenberg

Portrait of Peter B. Kyne Peter B. Kyne The Three Godfathers

The sun was just coming up over the low red hummocks of hematite to the eastward when The Three Bad Men plodded wearily up a long, dry canon, turned a sharp, rocky promontory into an arroyo—and paused.
Borne on the slight desert breeze a sound came to them from up the arroyo. It was a mournful, wailing cry and ended in a sob—a sound that bespoke pain and fear and misery.
The Three Bad Men looked at one another. Each held up an index finger, enjoining silence. A second, a third time the sound was repeated.
“It's a human voice,” announced The Worst Bad Man, “an' there's death in it.
Source: Gutenberg

Portrait of Peter B. Kyne Peter B. Kyne The Three Godfathers

It was almost sun-down when the three godfathers left Terrapin Tanks with their godson and struck off through the low black hills toward the northeast. A cold night wind was springing up, and to the thirsty godfathers, not one of whom had tasted water since sun-up that morning, the cool breeze was refreshing.
Up the wild, lonely draws they trudged, the sleeping infant, wrapped in a double blanket, reposing in the hollow of The Wounded Bad Man's sound arm. The man's face was drawn and very haggard, and he staggered slightly from weakness once or twice in spots where the trail was rough.
Source: Gutenberg

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