Summary

Portrait of Charles Dickens Charles Dickens Sketches by Boz — The Bloomsbury Christening (1836)

Dumps, for about the first time in his life, felt grateful and polite; and he and the gentlemanly-looking young man parted with mutual expressions of good will.
‘There are at least some well-disposed men in the world,’ ruminated the misanthropical Dumps, as he proceeded towards his destination.
Rat—tat—ta-ra-ra-ra-ra-rat—knocked a hackney-coachman at Kitterbell’s door, in imitation of a gentleman’s servant, just as Dumps reached it; and out came an old lady in a large toque, and an old gentleman in a blue coat, and three female copies of the old lady in pink dresses, and shoes to match.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — The Bloomsbury Christening (1836)

It had rained, without a moment’s cessation, since eight o’clock; everybody that passed up Cheapside, and down Cheapside, looked wet, cold, and dirty. All sorts of forgotten and long-concealed umbrellas had been put into requisition. Cabs whisked about, with the ‘fare’ as carefully boxed up behind two glazed calico curtains as any mysterious picture in any one of Mrs. Radcliffe’s castles; omnibus horses smoked like steam-engines
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Sketches by Boz — The Bloomsbury Christening (1836)

It was some time before the miserable man could muster up courage to knock at the door, and when he did, the smart appearance of a neighbouring greengrocer (who had been hired to wait for seven and sixpence, and whose calves alone were worth double the money) , the lamp in the passage, and the Venus on the landing, added to the hum of many voices, and the sound of a harp and two violins, painfully convinced him that his surmises were but too well founded.
Source: Wikisource

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