Summary

Peter Berlyn The Crystal Palace: Its Architectural History and Constructive Marvels

There is, perhaps, no part of this interesting building in which the great size and singular lightness, almost airiness, of the construction are so strikingly displayed as in the TRANSEPT, inclosing as it does a row of fine old elm-trees, as if to protect them in their venerable age from the smoke of the thousands of chimneys that have been gradually forming a destructive circle around them.
Source: Gutenberg

Peter Berlyn The Crystal Palace: Its Architectural History and Constructive Marvels

What the flower-garden is to the bees, attracting them to gather honey from its sweets, the Grand Exhibition has been to many a candidate anxious to take his place in the ranks of authorship. The book before us is one of the proofs of its stimulating powers. It fully and ably accomplishes all which the title-page leads us to expect, setting forth the causes and progress of that wondrous festival of industry at which the world is to meet in Britannia's Crystal Palace.
Source: Gutenberg

Peter Berlyn The Crystal Palace: Its Architectural History and Constructive Marvels

Should we be justified in adopting a simple tint of white or stone colour, the usual method of painting iron? Now, it must be borne in mind that this building will be covered on the south side, and over the whole of the roof, with canvass, so that there can be but little light and shade. The myriads of similar lines, therefore, of which the building is composed, falling one before the other, would lose all distinctness, and form, in fact, one dull cloud overhanging the Exhibition.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature