Peter Berlyn and Charles Fowler, Junior. Engravings: George Samuel Measom.

Summary

Peter Berlyn and Charles Fowler, Junior. Engravings: George Samuel Measom. The Crystal Palace (1851)

There is, perhaps, no part of this interesting building in which the great size and singular lightness, almost airiness, of the construction are so strikingly displayed as in the TRANSEPT, inclosing as it does a row of fine old elm-trees, as if to protect them in their venerable age from the smoke of the thousands of chimneys that have been gradually forming a destructive circle around them.
Source: Wikisource

Peter Berlyn and Charles Fowler, Junior. Engravings: George Samuel Measom. The Crystal Palace (1851)

The place presented an animated and interesting scene, which attracted a great number of visitors; and crowds of the fair sex were not deterred by the rough state of the ground from endeavouring to satisfy their proverbial thirst for knowledge. In one part of the ground might be seen the putting together of the wrought-iron roof-girders to the deafening tune of more than a hundred hammers; in another place gutters were being put together by the mile, for which some hundred or two of sawyers were cutting up ship-loads of timber.
Source: Wikisource

Peter Berlyn and Charles Fowler, Junior. Engravings: George Samuel Measom. The Crystal Palace (1851)

Now, if this criterion of excellence be applied to the remarkable building recently erected in Hyde Park, it will be found that the constructive arrangement of the interior is plainly expressed without, and it must be conceded that it possesses at least those elements of beauty arising from consistency and simplicity which, in combination with its vast size, give it also that of grandeur. That it is faultless it would be needless to assert, or to imagine that, from its example, a new style of architecture will originate
Source: Wikisource

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