Summary

Phil Robinson Birds of the wave and woodland

The blackbird is quite as familiar by sight and by song, but many who know what the mavis’ eggs and nests are like, would perhaps be puzzled to describe the merle’s. The home of the hedge-sparrow, again, is well known, and, after a fashion, its appearance; but how many who hear it singing know who the small musician is? So, taken all round, the thrush is the bird we are most intimate with. And how welcome it always is on the lawn, with its charming plumage, and its pretty, half-timid way of coming out into public!
Source: Gutenberg

Phil Robinson Birds of the wave and woodland

While the snow-drops, the “Fair Maids of February,” are still in early bloom, and before the crocus has lit its points of flame or the primrose its pale fires, and while “the daffodils that come before the swallow dares” are scarcely in their bud, the thrush has burst forth in full song, its burden the “news of buds and blossoming.” There is little that is green yet in copse and hedge: few flowers worth a child’s picking are to be seen. But he is too full of his glad evangel to be able to keep from singing, and from the tufted larch
“Rarely pipes the mounted thrush.”
Source: Gutenberg

Phil Robinson Birds of the wave and woodland

To July belongs the skylark, a bird really of all the year, but most intimately somehow the genius of the meadow. The hay has been cut, the first brood of young are flown, and the larks are again building, renewing the Spring with the aftermath of grass. The glorious growth of the meadow, spangled with ox-eye daisy and corn-flower, has been laid low, and the scented harvest has been carted, and the larks are busier than ever in the smooth-shorn field, while the sky seems never so full of their song as when the hay-makers are afield.
Source: Gutenberg

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