Summary

Portrait of Pierre Loti Pierre Loti Madame Chrysantheme — Volume 1

The house is just as I had fancied it should be in the many dreams of Japan I had had before my arrival, during the long night watches: perched on high, in a peaceful suburb, in the midst of green gardens; made up of paper panels, and taken to pieces according to one's fancy, like a child's toy. Whole families of cicalas chirp day and night under our old resounding roof. From our veranda we have a bewildering bird's-eye view of Nagasaki, of its streets, its junks, and its great pagodas, which, at certain hours, is illuminated at our feet like some scene in fairyland.
Source: Gutenberg

Portrait of Pierre Loti Pierre Loti Madame Chrysantheme — Volume 1

What one can see through the wide-open veranda is very pretty; I will admit that it resembles the landscape of a fairytale. There are admirably wooded mountains, climbing high into the dark and gloomy sky, and hiding in it the peaks of their summits, and, perched up among the clouds, is a temple. The atmosphere has that absolute transparency, that distance and clearness which follows a great fall of rain; but a thick pall, still heavy with moisture, remains suspended over all, and on the foliage of the hanging woods still float great flakes of gray fluff, which remain there, motionless.
Source: Gutenberg

Portrait of Pierre Loti Pierre Loti Madame Chrysantheme — Volume 1

What always strikes one on first entering a Japanese dwelling is the extreme cleanliness, the white and chilling bareness of the rooms.
Over the most irreproachable mattings, without a crease, a line, or a stain, I was led upstairs to the first story and ushered into a large, empty room—absolutely empty! The paper walls were mounted on sliding panels, which, fitting into each other, can be made to disappear—and all one side of the apartment opened like a veranda, giving a view of the green country and the gray sky beyond.
Source: Gutenberg

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