Chrysantheme

Definition and stakes

Portrait of Pierre Loti Pierre Loti,  Madame Chrysantheme — Volume 2

“ Behind me comes a faint and melancholy strain of music—melancholy enough to make one shiver—and shrill, shrill as the song of the grasshoppers, it began to make itself heard, very softly at first, then growing louder and rising in the silence of the noonday like the diminutive wail of some poor Japanese soul in pain and anguish; it was Chrysantheme and her guitar awaking together. ”
Source: Gutenberg

Portrait of Pierre Loti Pierre Loti,  Madame Chrysanthème

“ It is the monstrous gong of a monastery, situated in a suburb beneath us. Well, it is powerful indeed "the Japanese brass!" When the strokes are ended, when it is no longer heard, a vibration seems to linger among the suspended foliage, and an endless quiver runs through the air.
I am obliged to admit that Chrysanthème looks very charming shooting her arrows, her figure well bent back the better to bend her bow; her loose-hanging sleeves caught up to her shoulders, showing the graceful bare arms polished like amber and very much of the same color.
”
Source: Gutenberg

W. R. W. Stephens,  Saint John Chrysostom, His Life and Times

“ He makes the sin neither to be nor to have been.... Sin is drowned in the ocean of God’s mercy, just as a spark is extinguished in a flood of water.”714
It was, no doubt, the trustful dependence of Chrysostom on Divine grace, coupled with his firm conviction of the free capacity of man to turn to what is good, which enabled him to pitch all his exhortations to Christian holiness in such a singularly cheerful, hopeful tone. To his sanguine temperament it seemed as if man’s natural capacities for good, aided by grace obtained through prayer, could accomplish anything.
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Source: Gutenberg

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