Summary

Portrait of L. Adams Beck L. Adams Beck The ninth vibration and other stories

Has any woman ever had a more royal homage than this most royal lady—known first as Mihr-u-nissa—Sun of Women, and later, Nour-Mahal, Light of the Palace, and latest, Nour-Jahan-Begam, Queen, Light of the World?
Here in these gardens she had lived—had seen the snow mountains change from the silver of dawn to the illimitable rose of sunset. The life, the colour beat insistently upon my brain. They built a world of magic where every moment was pure gold. Surely—surely to Vanna it must be the same.
Source: Gutenberg

Portrait of L. Adams Beck L. Adams Beck The ninth vibration and other stories

But the marvel of marvels was her face—not, indeed, for its beauty, though that transcended all, but for its singular and compassionate sweetness, wherewith she looked toward the Palace beyond the river as if it held the heart of her heart, while death and its river lay between.
And Ustad Isa said:—“O dream, if this sweetness be but a dream, let me never wake! Let me see forever this exquisite work of Allah the Maker, before whom all the craftsmen are as children! For my knowledge is as nothing, and I am ashamed in its presence.”
Source: Gutenberg

Portrait of L. Adams Beck L. Adams Beck The ninth vibration and other stories

I asked for a royal maiden wise and beautiful, calm as the dawn, and you have told me of a wood-cutter’s drudge, blind and ugly.”
And now Semimaru did not answer, but the tones of the biwa grew louder and clearer, and they rang like a song of triumph, and the Emperor could hear these words in the voice of the strings.
“She is beautiful as the night, crowned with moon and stars for him who has eyes to see. Princess Splendour was dim beside her; Prince Fireshine, gloom! Her Shining Majesty was but a darkened glory before this maid. All beauty shines within her hidden eyes.”
Source: Gutenberg

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