Alfred Parsons

Alfred Parsons

Summary

Portrait of Alfred Parsons Alfred Parsons,  Notes in Japan

“ It was difficult to understand how it could ever get dry, for all the mists of Japan seemed to collect round these mountains and forests; the landscape was rarely free from them, and constantly looked like a Japanese drawing, all vague and white in the valleys, with ridges of hill and fringes of pine showing in sharp clear lines one behind the other.
It is a warm climate too, and everything grows luxuriantly. There are great clumps of bamboo, enormous azalea bushes, and thick undergrowths of palmetto.
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Source: Gutenberg

Portrait of Alfred Parsons Alfred Parsons,  Notes in Japan

“ No portion of the Nakasendo is finer than that near Midono; the valley narrows and the road in many places overhangs the rushing Kisogawa, the vegetation is luxuriant, walnuts, oaks, chestnuts, and maples shade the road, and great groves of bamboo wave their plumes in every little breeze which comes down from the mountains through the ravines in which they grow. By the river-side I noticed many fine-leaved plants; some old garden friends, and others new to me; yellow wagtails fluttered jauntily from rock to rock, and lines of swallows on the telegraph wires showed that autumn was at hand. ”
Source: Gutenberg

Portrait of Alfred Parsons Alfred Parsons,  Notes in Japan

“ THE TIME OF THE LOTUS HE damp heat of the Japanese summer, which is so trying to human beings, encourages all vegetation to grow with surprising luxuriance and rapidity; the buds of yesterday are flowers to-day, and to-morrow nothing is left but the ruin of a past beauty, making the painter’s struggle most arduous just when he has least energy to contend with nature. ”
Source: Gutenberg

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